A Satyr mourning over a Nymph

A painter born in Florence and belonging to the Italian High Renaissance, Piero di Cosimo received his training under Cosimo Rosselli and later accompanied him in 1482 to Rome, where he was a major contributor to artistic projects that established his Renaissance art style. Piero di Cosimo gained his fame for the imaginative paintings created by combining classical, mythological, and religious themes with comprehensive portraits of flora and fauna. His distinguishable style was familiar of bright and rich colours, expressive compositions, and a unique blend of fantasy and reality. Even though he was described as bizzare loner by Giorgio Vasari, in the modern scholars books, he is recognised as a person of thoughtful observation for human emotions and the natural world. In the later stages of his life, he became renowned as a skilled portrait painter followed by his death in 1522. The painting “A Satyr Mourning over a Nymph” by Piero di Cosimo is an illustration of a tragedy of Procris from Ovid’s Metamorphoses. The artwork shows an injured nymph, with wounded throat and hand, coldly laying on the grass. The satyr is kneeling beside her, and a loyal dog sits near her feet, similarly grieving as the satyr, while other birds and animals such as pelicans, storks, dogs roam around in the background landscape. The original work by Ovid does not say anything about satyr, art researchers explain that it was an inspiration of the 15th century adaptation of the myth by Niccolò da Correggio. Most likely, the piece functioned as a spalliera, that is a decorative backboard for a bench or desk in a palace in Florence. Cosimo had a peculiar attention to detail when it came to emotions, nature, animals, behaviours and it is evidently demonstrated in the painting. The manner in which he has sensitively portrayed the dog mourning immediately gives the work an emotional angle and visually engages the viewers.