A blindfolded suitor is brought before a princess

A Blindfolded Suitor is Brought Before a Princess (1755) was painted by Fayzullah who was an artist within the late Mughal artistic tradition in Lucknow. He has also signed and dated the work. The painting was made in gum tempera and gold on paper and reflects the aesthetics and characteristics of eighteenth century Mughal India. It was created during a turbulent period in the history of the Mughals as their political authority was weakening and influential women within the royal household often exercised considerable from behind the scenes. This particular work was completed shortly after the blinding and deposition of the Mughal emperor Ahmad Shah Bahadur (1748–1754), which would have been a recent event for the contemporary viewers of the time. A dramatic scene is depicted on a richly carpeted terrace within the women's quarters of the palace. At the center of this painting, an elderly woman is shown leading a young prince whose eyes are covered with a white blindfold towards a princess who is shown holding a document in her hand. All the figures in the painting are depicted dressed in luxurious garments. The carpets are adorned with floral patterns, details on the doors and railings are beautifully intricate and gold accents that are typical of Mughal paintings can also be seen. In the lake depicted in the background, a crocodile is shown attacking a horse and the person atop. The city in the background of the lake is also beautifully depicted. The painting sort of asks the viewer to speculate about the relationship between the characters and can be interpreted in two ways. It seems to portray an event in which a princess is choosing her future husband from among potential suitors. The blindfolded prince in this case can be seen as symbolizing uncertainty, fate, and the surrender of personal agency to the judgment of the princess. The document shown in the princess's hand reinforces her role as the decision maker, thus reversing the conventional gender hierarchies and highlighting female authority as the main theme of the painting. Secondly, it can be interpreted with regards to the political situation of the time. The Mughal king, Ahmad Shah Bahadur was blinded and deposed from his position about a year before this painting was made. Therefore, the painting can be seen as a commentary on Mughal politics, with themes of vulnerability, succession, and the influence of powerful court women. This painting shows how Mughal artists often depicted the political scenarios in their artwork.

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