Kangra Miniatures: A Regal Legacy of Himachal’s Artistic Heritage
Kangra Miniatures: A Regal Legacy of Himachal’s Artistic Heritage

There is something magical about Kangra painting. It is not another style of miniature art...

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Songs of Regattas: Sari Gaan of Bengal
Songs of Regattas: Sari Gaan of Bengal

Introduction Saari Gaan or music is a compilation of beautiful river songs.It’s one of the...

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Revisiting the History of an Art Fair: Nandan Mela of Visva-Bharati
Revisiting the History of an Art Fair: Nandan Mela of Visva-Bharati

    INTRODUCTION Art and culture are intertwined and reflected through various forms and ways;...

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One Stich at a time ; Story of the Toda Embroidery
One Stich at a time ; Story of the Toda Embroidery

Introduction: For a long time, the Nilgiris has remained a symbol of aestheticism, with the...

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Kalaripayattu Art: Kerala’s Martial Artistic Legacy
Kalaripayattu Art: Kerala’s Martial Artistic Legacy

Introduction Long ago in Kerala, a martial art was born not just of combat, but...

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Ink, Iron & Identity: The Kutia Kondh Tattoos That Refuse to Fade
Ink, Iron & Identity: The Kutia Kondh Tattoos That Refuse to Fade

If pain is beauty, the Kutia Kondh women of Odisha have known it for centuries...

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Rajasthani Culinary Masterpiece: Dal Baati Churma
Rajasthani Culinary Masterpiece: Dal Baati Churma

Introduction Indian cuisine, encompassing the entire range of regional delicacies and lesser-known specialties from every...

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Gaudiya Nritya: The Classical Gem of Bengal
Gaudiya Nritya: The Classical Gem of Bengal

Introduction Gaudiya Nritya is one of the classical yet underrated gems of Bengal’s cultural heritage....

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Clay that Breathes: Unearthing Sonepur’s Terracotta Tales
Clay that Breathes: Unearthing Sonepur’s Terracotta Tales

“You don’t make terracotta. You become it.” That’s what an artisan in Odisha’s Sonepur whispered,...

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From Margins to Mainstage: Raibeshe
From Margins to Mainstage: Raibeshe

“রক্তে মিশে আছে লাঠির ভাষা, রাইবেঁশে শুধুই নাচ নয়—এ এক যুদ্ধের স্মৃতি, আত্মপরিচয়ের আওয়াজ।” “In...

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