Sohni-Mahiwal
Image source: sobhasinghartist.in

Sohni-Mahiwal

Support Type: Canvas
Paint Type: Oil Paint
Current Location: Sobha Singh Art Gallery in Andretta (Kangra)
Location History:-Sobha Singh painted Sohni for the first time in 1937. But in 1947, he left the first painting in Lahore. -The second painting took two years and was completed at Andretta in 1949. On the request of Dr MS Randhawa, it was presented to the Royal Air Force at Ambala. Now, it is believed to be at the Air Force Officers’ Mess at Secunderabad -The third painting was done in 1952 and is with Karan Singh, but the rights of printing were retained by Sobha Singh -The fourth and fifth paintings were done in 1957 and 1980 at Andretta and are part of Sobha Singh Art Gallery, Andretta

This painting is a masterful interpretation of the Punjabi tragic romance, Sohni-Mahiwal, captured in the signature "Romantic Realism" style of Sardar Sobha Singh. The scene is set against the turbulent backdrop of the Chenab River during a midnight storm, serving as a powerful metaphor for the overwhelming obstacles of worldly existence. The composition is anchored by the two central figures, whose physical proximity and intense emotional gaze create a sense of stillness amidst the chaotic, churning waters. Sohni is depicted in a state of exhaustion and surrender, her form draped in translucent, wet fabric that clings to her skin - a detail Singh famously mastered by studying his own reflection in wet muslin. Her expression is not one of terror, but of spiritual longing and relief as she finds her lover, Mahiwal, in the dark. Mahiwal is shown reaching out to her, his posture radiating strength and desperation as he attempts to pull her from the current. The artist uses a technique often described as "the divine glow," where light seems to emanate from within the lovers themselves, casting a soft, golden radiance that contrasts sharply with the deep blues and jagged whites of the frothing waves. Symbolically, the painting captures the moment the unbaked clay pot, Sohni’s only means of crossing the river has dissolved, signifying the end of her earthly journey and the beginning of a spiritual union. The atmosphere is thick with a sense of "merging," where the two souls appear to become one against the vastness of the elements. It is a work that transcends mere storytelling, elevating a folk legend into a timeless meditation on sacrifice, intimacy, and the transcendental power of love.

Sources:

Description Sources: share.google, share.google, share.google
Location source: theheritagelab.in
Location History: tribuneindia.com, share.google

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Information Compiled by Jahanvi Gupta
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