The Flagellation of Christ by Sodoma is a classic biblical representation that stands out as a strong source of study in contrast with the Gospel of Matthew. Since it is part of a large altarpiece titled the Deposition, it is an important subject of study. Further talking about the painting composition, Christ has been shown in the centre in a freestanding posture, where Christ reflects as an axis of salvation. In the painting, Sodoma has rendered Christ with almost nudity, which acts as a symbol of humiliation for Christ. One could easily assess the touch of the High Renaissance in the rendition of the facial expressions. Further moving towards the two muscular figures on both sides reflects a quiet rhetorical influence of opposite moral emotions where they hold violence in their actions, and on the other hand, Christ's calmness speaks of innocence at the same time. And while focusing on the background, which itself holds immense depth with a distant landscape view, which was quite popularised during the scenes of flagellation. Further, the surrounding architecture unfolds different dimensions that act as idealised with timeless sacred history in the field of art and culture over the years. Since Sodoma was highly influenced by Leonardo da Vinci, his figures resonate the leonardesque in form of modelling and expressions in a psychological manner. Therefore, this work of Sodoma synthesises the characteristics of sacred artwork influenced by the High Renaissance with idealised beauty, along with the intensification of devotional values. The painting invites its viewer to connect with Christ’s suffering in a voluntary way and moves the painting towards gratitude and faithful contemplation altogether.

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