Basawan was one of the finest painter in Akbar's atelier. His paintings have figures that mark lifelike vitality and avoid the idealized elegance of Safavid prototypes. He favoured expressive individuality by capturing gestures and physiognomies with a precision that suggest direct study from life. The above artwork shows a courtier simply standing and waiting for Akbar's command. The overall composition is simple with limited colour palette. The saturated orange of the jama is visually arresting against a muted ground, creating a strong sense of focal point and also isolation. The geometric simplicity of the dress is juxtaposed with intricate detailing of the sash. The artist has used this contrast in attire to reflect emotional state of the character. These formal elements of the painting suggest the quiet anticipation of the courtier and thus, serve to underscore the thematic content.

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